Pola X (1. 99. 9) - IMDb. I want very much to believe that the above quote (specifically, the English subtitle translation), which was actually written, not spoken, in a rejection letter a publisher sends to the protagonist, was meant to be self- referential in a tongue- in- cheek manner. But if so, director Leos Carax apparently neglected to inform the actors of the true nature of the film. They are all so dreadfully earnest in their portrayals that I have to conclude Carax actually takes himself seriously here, or else has so much disdain for everyone, especially the viewing audience, that he can't be bothered letting anyone in on the joke. Pierre, a young man of privilege, whose anonymously-published novel is a hit and who's about to marry his blond cousin, Lucie, abandons all when a dark-haired vagrant. Some auteurs are able to get away with making oblique, bizarre films because they do so with . Others use a subtler approach while still weaving surreal elements into the fabric of the story (e. Krzysztof Kieslowski, and David Cronenberg's later, less bizarre works). In Pola X, Carax throws a disjointed mess at the viewer and then dares him to find fault with it. Well, here it is: the pacing is erratic and choppy, in particular continuity is often dispensed with; superfluous characters abound (e. Gypsy mother and child); most of the performances are overwrought; the lighting is often poor, particularly in the oft- discussed sex scene; unconnected scenes are thrust into the film for no discernible reason; and the list goes on. Not to be completely negative, it should be noted that there were some uplifting exceptions. I liked the musical score, even the cacophonous industrial- techno music being played in the sprawling, abandoned complex to which the main characters retreat in the second half of the film (perhaps a reference to Andy Warhol's 'Factory' of the '6. Much of the photography of the countryside was beautiful, an obvious attempt at contrast with the grimy city settings. And, even well into middle- age, Cathering Deneuve shows that she still has 'it'. Watch Pola X (1999) - Pierre vive con la madre in Normandia. Un'esistenza tranquilla e felice. Ogni mattina Pierre va a trovare Lucie, la propria fidanzata. Pola X (1999) - Hollywood Movie Watch Online. Starring - Guillaume Depardieu, Yekaterina Golubeva, Catherine Deneuve, Delphine Chuillot Director - Leos Carax Genre.
Her performance was also the only one among the major characters that didn't sink into bathos. There was an earlier time when I would regard such films as . Experimentation is admirable, even when the experiment doesn't work. But Carax tries nothing new here; the film is a pastiche of elements borrowed from countless earlier films, and after several decades of movie- viewing and literally thousands of films later, I simply no longer have the patience for this kind of unoriginal, poorly crafted tripe. At this early moment in the 2. With the exception of Jean- Pierre Jeunet, are there *any* directors in France who know how to make a watchable movie anymore?
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The Hunger Games: A Romantic Analysis of the Peeta vs Gale 'Love Triangle'. Why Katniss chooses Peeta. Why Katniss does not choose Gale. Gale was Katniss’ . Over the course of the story, this dynamic shifts, and the performance of her love with Peeta grows into a reality. So what has changed? For one, Gale is revealed to be not the person she thought (nor, perhaps, the person he previously was). The war has made him ruthless and cold in his pursuit of his originally noble cause. Gale suggests an attack strategy that involves bombing civilians, leaving a brief pause so other civilians will think it safe to come tend the wounded, and then setting off a second bomb. When rebel president Alma Coin (Julianne Moore) uses Gale's bombing strategy to murder Capitol children (in a strategic political move to blame Donald Sutherland's evil President Snow and turn his own soldiers against him), the bomb also kills Katniss’ sister, Prim. All along, Gale has taken on the role of protector of Katniss’ family – this was his reason for not volunteering for the first Games with Katniss. Peeta or Gale,which should Katniss choose? Create Quiz; Random Quiz; Polls; Surveys; Questions. Games; Blog; FAQ; Login; X.Now it is glaringly obvious that he has failed in his role as Prim's protector, as Prim has died. Gale, arguably, has killed her or had a role in her killing. After the bombing Gale, barely able to look Katniss in the eye, tells her he does not know whether it was his bomb that killed Prim – but he can’t deny the delayed bombing strategy was his idea. He knows that he and Katniss can have no future, as the idea will always be in Katniss' head that he may be responsible. The event gives Katniss certainty as she walks away from Gale, but her orbit was already moving away from his and toward Peeta’s. Despite the dark period their relationship has entered in Mockingjay – Part 2, Katniss and Peeta continue to affirm their roles as each other’s protectors. They repeat their shared story: . Making up this game together is a fitting illustration of how relationships are ultimately an act of shared storytelling. In The Hunger Games: Mockingjay - Part 1 (2. Finnick tells Katniss, . It wasn’t until Peeta’s heart stopped and he nearly died that I knew I misjudged you. I’m not saying in what way—maybe you don’t even know yourself. But anyone paying attention can see it.”Discover magazine suggests that Katniss’ falling for Peeta stems from the link between anxiety and arousal – studies have shown that women are more likely to fall for a man when they undergo dangerous situations together, since their arousal activates a sexual response, and Katniss and Peeta are together for the scariest moments of their lives. Either way, Peeta becomes the one person who understands what Katniss has lived—as she is for him. Somewhere along the way, their performance of love stops being a strategy and becomes the living, breathing thing. The love story in The Hunger Games is subtle and mature for a blockbuster romance. Significantly, the love story does not excessively dominate the story. This is the tale of a special young woman leading the disempowered to fight a war against their oppressors, which, secondarily, features a love story. Gale points out in a stolen conversation with Peeta in Mockingjay – Part 2 that the question of whom Katniss will choose is likely academic; the chance that all three in the love triangle will survive is slim. If somehow they do, Gale remarks, it’s “her problem.” This is not the overdramatic, even- death- won’t- part- us rhetoric we’d expect if The Hunger Games were a sibling of Twilight. Even the two men fighting to win Katniss’ heart put the romance second to the bigger goals of the freedom struggle —as they should. Second, we genuinely don’t know for a good portion of the narrative which man Katniss is going to choose. The earlier installments convince us that Kale’s heart lies with Gale. At that point, the choice between the two men is more a question of love versus duty. As time goes on, her fixation Peeta is increasingly obvious, but the story still implies that her devotion to Peeta is almost sisterly, born of duty and gratitude, another self- sacrifice rather than the ultimate desire of true romance. Even for much of Mockingjay – Part 2, which suggests numerous times that Katniss may have to kill the brainwashed Peeta since he has both attacked Katniss and killed another troupe member, we are not sure of the exact nature of Katniss’ feelings. So, does she love Peeta from the start and learn it over time? Or do Katniss and Peeta fuse together irrevocably due to the extreme circumstances they are forced into? Do all three members of the original love triangle change fundamentally and become altogether new selves in the crucible of the Games? These questions – here as in life – are unanswerable. It is impossible to separate ourselves from the experiences we have lived. The question of whether Katniss would have married Gale, if she had never gone to the Hunger Games, is nonsensical. Even if the story implies that pre- Games Katniss would have chosen Gale (through the parallel of Mrs. Everdeen’s choice to marry Katniss’s coal- miner father instead of Peeta’s father, who was also in love with her), the actual Katniss does go to the Games and become the mockingjay. She and her romantic interests are tested, changed, and revealed through lived events. If our choice of who to love is the ultimate reflection of who we are, then we cannot . Katniss’ love for Peeta reveals the values she most holds dear: continuing kindness and goodness even after we witness the ugliest of what humankind can do. In the first novel, Katniss expresses the images she associates with Peeta: “ the bread that gave me hope, and the dandelion that reminded me that I was not doomed.” Peeta is the flower that renews after death and the loaf of bread he stole for Katniss' family, knowing the act would result in his beating. Later, in Mockingjay, she understands clearly why she needs Peeta and not Gale: “What I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again.”In the final scene of Mockingjay - Part 2, Katniss tells her baby daughter about the game she plays to drive away her nightmares: remembering every good thing she’s seen people do. After the hell Katniss has lived through, she needs Peeta to remind her that there is a light side to life and to help her rebuild an existence based on good things. He is the ever self- sacrificing, renewing, pure- hearted person who gives her reason to go on after the living nightmares of the Games have ended. |
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